Table of Contents
DEC 2024, Vol 39, No 4
ARTICLES
Perceptions and Prevalence of Anxiolytic Medication Usage for Performance Enhancement Among Musicians
Anne Kuwabara, Emily Miller Olson, Jeremy Lee Stanek
While anecdotal reports of the use of performance-enhancing medications to curb anxiety in performing artists abound, there has been no research to date assessing the prevalence of usage and attitudes towards use amongst the artists themselves. The objective of this study was to evaluate the perceptions, acquisition, and use of potentially performance-enhancing medications (benzodiazepines, beta-blockers, and cannabinoids) in the performing artist community to clarify the use of these medications to improve patient counseling and patient safety.
Association Between Bone Maturation, Menstrual Cycle, Hypermobility, Scoliosis, and Low Back Pain in Pre-Professional Female Adolescent Dancers
K. Everaert, B. Fierens, N. Steinberg, P. Mahaudens, F. Balagué, P. Gielen, J. Gielen, E. van Breda, N. Roussel
Many adult dancers suffer from low back pain (LBP), which interferes with their movement strategies. A group that merits further attention are adolescent dancers as high levels of physical activity are associated with a higher risk to develop LBP. OBJECTIVE: The aims of this cross-sectional study were (i) to investigate if delayed bone maturation and aberrant menstrual cycle were present in pre-professional female adolescent dancers and (ii) whether these ailments or other physical impairments could be related to LBP.
A Descriptive Comparison of Oral Cavity Movements Between Brass Instrumentalists Performing Large Interval Slurs
Peter W. Iltis, Jens Frahm, Dirk Voit, Aaron Wright, Amy Dever
We have previously described patterns of oral cavity movement in advanced French horn players during the performance of large interval slurs. The current study expands upon that work by reporting comparisons between horn, trumpet, and trombone players performing similar large interval exercises. Real-time MRI (RT-MRI) films at 20 msec resolution were simultaneously obtained in the sagittal and coronal planes in 10 trumpet players, 9 horn players, and 10 trombone players as they performed 2 repetitions each of slur sequences spanning 1 octave and 1 octave + 3rd (interval of a tenth) at a mezzo forte dynamic level.
Enhancing Physiotherapy Care for Touring Performing Arts Companies: A Model for Quality and Continuity
Marissa Schaeffer, Jennie Harary
Touring presents significant physical and logistical challenges for performing artists, often leading companies to seek healthcare support. This paper outlines a physiotherapy care model developed by a performing arts clinic for a touring puppet company during a 38-city US tour. The model addressed common issues, such as lack of continuity of care, by establishing standard operating procedures (SOPs), pre-tour assessments, and the use of a unified electronic medical records (EMR) system.
About MPPA
Medical Problems of Performing Artists is a peer-reviewed medical journal that provides a worldwide forum for professionals involved in practice and research related to performing arts medicine. Issued quarterly, it publishes information about the origin and nature, management, and rehabilitation of medical problems affecting musicians, dancers, vocalists, actors, and others, including anxiety, musculoskeletal injuries and overuse, finger and hand problems, voice and hearing problems, stress, eating disorders, and neuromuscular disorders.
MPPA is the official publication of the Australian Society for Performing Arts Healthcare (ASPAH) and Performing Arts Medicine Association (PAMA).
Beginning with Volume 35 (2020), MPPA is published online-only (e-journal).
Editor-Dance: Shaw Bronner, PT, PhD, OCS
Alvin Ailey and ADAM Center, New York, NYEditor-Music: Nancy N. Byl, PT, MPH, PhD
University of California San Francisco, San Francisco, CA
Editor-Music: Eckart Altenmüller, MD
Institut für Musikphysiologie und Musiker-Medizin, Hannover, Germany
History: Medical Problems of Performing Artists began publishing in March 1986. It was begun by Alice Brandfonbrener, MD, who was approached by the publisher Hanley & Belfus to become its first Editor (MPPA 1995;10(4):113; MPPA 2005;20(2):63). Dr. Brandfonbrener was one of the pioneers of performing arts medicine, and in the 1980s she began organizing a conference of similar-minded physicians and researchers meeting at the Aspen Music Festival in Aspen, Colorado (MPPA 2002;12(4):147). In her first editorial in MPPA in March 1986, Dr. Branfonbrener explained the goals of the new journal: “The purpose of Medical Problems of Performing Artists is to promote interest in the medical problems of performing artists, to help in the search for and dissemination of information, and by these means to promote the well-being of this vulnerable and valuable segment of our society” (MPPA 1986;1(1):1). She went on to serve as Editor of the journal for 20 years.
Over the following years, and following Dr. Brandfonbrener’s direction, the journal has helped to build awareness of the medical and health conditions affecting musicians, dancers, vocalists, actors, and other performing artists, as well as to inspire scientific research into their origins and treatment. In 1990, the journal was designated as the official publication of the newly formed Performing Arts Medicine Association, which Dr. Brandfonbrener, Dr. Richard Lederman, and notable others had organized in September 1989 (MPPA 1990;5(2):65). In 2005, the Dutch Performing Arts Medicine Association (Nederlandse Vereniging voor Dans- en Muziekgeneeskunde, NVDMG) adopted MPPA as its official journal (ending 2023), and in 2010, the Australian Society for Performing Arts Healthcare (ASPAH) joined as an official sponsor of the journal.
MPPA was selected for indexing by Medline/PubMed beginning in 2010. Since 2002, the journal has been published by Science & Medicine, who as owner and publisher of the journal, are committed to preserving the vision of Alice Brandfonbrener and promoting the well-being of performing artists.
Indexing:
The journal contents is listed and indexed in:
MEDLINE/PubMed
PsycInfo
Google Scholar
Current Contents/Arts & Humanities
ISI/BIOMED
Excerpta Medica/EMBASE
CINAHL
International Index to Music Periodicals
Music Index
RILM (Répertoire Internationale de Littérature Musicale) Abstracts of Music Literature
PAMA
Performing Arts Medicine Association is an organization comprised of dedicated medical professionals, artists, educators, and administrators with the common goal of improving the health care of the performing artist.
Performing Arts Medicine Association (PAMA)
PO Box 117
Englewood, CO 80151
USA
E-mail: services@artsmed.org
https://artsmed.org
ASPAH
The Australian Society for Performing Arts Healthcare is a charitable organization devoted to providing "holistic lifespan healthcare for performing artists," with membership open to anyone who cares about the well-being of performing artists.
Australian Society for Performing Arts Healthcare (ASPAH)
c/o Paul Duff, The Woy Woy General Practice
26-30 Railway Street
Woy Woy, NSW 2256
Australia
E-mail: secretary@aspah.org.au
www.aspah.org.au
Submitting Articles
MPPA is pleased to consider original research studies, case reports, systematic review articles, and letters to the editor for possible publication.